Culture

TimO,Bela1995 They are an odd couple, the flame haired Irishman and the soft spoken guy from Ohio, but they are also two of the top musicians in the world. When the curtain goes up on the 36th annual Telluride Bluegrass Festival Thursday afternoon, the opening act is dobro titan Jerry Douglas and Grammy-winning multi-instrumentalist/singer/songwriter Tim O'Brien. Who could ask for anything more...

Jerry is celebrating #25. Tim sends a salute:

Tim on Jerry:

"Jerry Douglas is a well traveled, universal bridge between traditional bluegrass and every other kind of music. He seems like my brother who just happened to reinvent the Dobro. The two of us have worked together closely at various times over the years, but our intersections have been infrequent in the past decade, so Thursday's Bluegrass show will be a wonderful reunion. We've each grown some while apart, so it'll be fresh and instructive. I'm hoping the tempos will be a little slower. He's like Sam Bush in that the only way to keep up with him is to start out earlier than him.

[click "Play" for Mike Farris interview]
Farris Mike Banner 2 If your church on Sunday morning, June 21, 2009, is the Telluride Bluegrass Festival, expect a rousing, spiritual Baptist or roots tent revival in a most unusual package: a tall white guy in dark glasses accompanied by an 11-piece band, Roseland Rhythm Revue (horns, back-up singers, etc). The guy will be singing as if his life depended on it – and it does. Meet Mike Farris.

In the 17th century, a poet stirred by the rich polyphony of church music declared that the music showed him the way to heaven's door. Ditto for Mike: the man who once found salvation in a bottle, now finds it through his music. For Mike, playing music is like praying. It shines a light on his soul. It keeps this rocker sober and soulful.

[click "Play" for Eamon McLoughlin interview]
Pressmini_vert02 According to Telluride Bluegrass Festival regular and Grammy winner Tim O' Brien it's all about recycling: he describes what he does musically as "making something new out of something old."

Tim is not alone. Linking the past, present and future is also what the relatively new band, The Greencards, is all about.

The aptly named Nashville-based trio – a green card identifies the bearer as an alien with permanent resident status in the United States – is comprised of two Australians, Kym Warner (mandolin. etc.) and Carol Young (vocals, bass) and an Englishman, Eamon McLoughlin (fiddle, violin, viola). The primary reason for moving to the States was to find opportunities to play their brand of high energy acoustic music not much in demand at home. Somewhat ironically, the group, which just opened shop in 2003, is already one of the hottest new bands in America, making distinctly American music.

by Jennie Franks

Tpf_logo_1 SPARKY PRODUCTIONS is pleased to announce the line up for the 3rd Annual TELLURIDE PLAYWRIGHTS FESTIVAL from 6th – 14th July at the historic Sheridan Opera House.

As resident dramaturg for this year’s festival HEATHER HELLINSKY will work with playwrights TODD KREIDLER and JAN BUTTRAM.   Heather has worked extensively with up and coming playwrights from all over the country.   She received her MFA in Dramaturgy from ART/MXAT Institute for the Advanced Theatre Training at Harvard and is a member of Literary Managers and Dramaturgs of the Americas.    This past year she was Resident Dramaturg for the Pittsburgh Public Theater where she has just finished working on Rob Zeller’s world premiere play Harry’s Friendly Service.

[click "Play" to hear Paul Hoffman's interview] Greensky Bluegrass is the world turned upside down. Winning the Telluride Bluegrass Festival band contest three years ago was a world-upside-down moment for...

[click "Play" to hear WPA interview]

Wpa Flashback: Telluride Bluegrass Festival 2000. Sugar Hill Records had several oldies but goodies in the lineup. John Cowan was appearing with his new group, Lonesome River Band. Also on the scene were Seldom Scene, Jesse Winchester and Sam Bush. With Nickel Creek, the label also featured strong Gen Zeta talent.

Nickel Creek proved that the youth brigade was not all about skin-flashing and razzmatazz.  Two of the musical whiz kids in the new group were a  brother and sister act, Sean Watkins (2/18/77), guitar, mandolin, and vocals, and Sara Watkins (6/8/81), fiddle and vocals. Sean and Sara are back in town 10 years later for their encore at the 36th annual Bluegrass Festival, June 18 – June 21.  (Star fiddler Luke Bulla was also in town that year with Ricky Skaggs, another-wet-behind- the-ears superstar in the making.)

The Nugget Theatre in Telluride will show one movie, twice nightly Friday, June 12-Thursday, June 18. "Night at the Museum: Battle of the Smithsonian" plays at 6:00 pm and 8:30 pm each night. The movie is rated PG.The original "Night at the Museum" was...

[click "Play" for Todd Snider interview]

Telluride Bluegrass, June 18-21

Pressphoto2 Telluride favorite, singer-songwriter Todd Snider, is returning to town for an encore after his sold-out show at the historic Sheridan Opera House, where the troubadour charmed the crowd with his barefoot brand of social satire and the way he managed to blow raspberries at our foibles without giving offense.This round, Todd is appearing on the Fred Shellman Stage at the Telluride Bluegrass Festival.

Turns out folk hero Woody Guthrie came from an extremely prosperous upper middle-class family: dad speculated in real estate and mom owned about 30 rental properties. Robert Allen Zimmerman was born in the Midwest in Hibbing, Minneapolis, and also had solid middle class underpinnings. His father Abe, ran a sort of successful electric-appliance shop. All the stories about the young Robert being orphaned, running away from home annually starting at age 10, performing in a carnival were attempts by Bob Dylan to become Dylan.

[click "Play" button to hear Susan's interview with Bill Frisell]

2009 Telluride Jazz Celebration, June 5-7

Frisell08_hires1 No doubt about it. Telluride Jazz Celebration impresario Paul Machado is really good at his job. His choice of Bill Frisell as the 2009 Guest of Honor was inspired, perfect for a time when the chips are down, when substance trumps style every day.

Soft spoken – literally, I had to ask him to speak up more than once in our interview –  and self-effacing and shy, Frisell is a man you might miss at a party; that is until he straps on his ax. Ax in hand, this "Clark Kent" quickly morphs into a Superman, arguably, quietly, the most brilliant and distinct voice to come down the pike in jazz guitar since Wes Montgomery, not coincidently one of Bill's idols. Ax in hand, the man is on fire. Bill claims performance is his drug of choice. It transforms him, allowing him to do things he would not do in real life. Performance brings out his inner Woody Allen. 

[click "Play" button to hear Susan talk with Lizz Wright]

C98c6988-06ac-47ae-bcb1-dfc65967b87e Chanteuse/songwriter Lizz Wright was only 25 when she first visited town, a guest of the 29th annual Telluride Jazz Celebration. At the time, the soulful young charmer was already brushing shoulders with song stylists such as Cassandra Wilson and Anita Baker, Nina Simone and Abbey Lincoln. The buzz among critics was that stars such as Norah Jones and Diana Krall had better get a firm grip on their crowns: Lizz was waiting in the wings.

The sheer beauty and quiet serenity of the lady, the full-bodied texture and musky warmth of her gospel-trained contralto, the conversational way she phrased her lyrics, had the crowd eating out of her hand. This was no aural window dressing. Lizz was – and is –  the real deal.