At the Nugget Theatre in Telluride, the movie for the week of May 29-June 4 is "Star Trek." The movie is showing twice each night at 6:00 and 8:30 pm., and is rated PG-13.This prequel takes us back to a time before Kirk was...
Thursday evening, 7 p.m., Telluride's Wilkinson Public Library, enjoy a recap of the Mudd Butts' April trip to Wondo Genet, Ethiopia. Local trip participants and staffers Wendy Brooks and Luke Brown host a narrated slide show of the trip, and play excerpts from the...
Violinist Maria Bachmann of the incomparable Trio Solisti is also the artistic director of the Telluride Musicfest. Now in its seventh year, the event takes place in town June 24 – July 5. This year, the world famous artist Philip Glass is Composer-in-Residence. On...
[click "Play" button to hear Steve Winter talking with Susan, and click the YouTube box below to see a slideshow of Winter's photgraphy ]
Two years ago, a group of "fellows" from the International League of Conservation Photographers came to Telluride, including James Balog Wade Davis, and Chris Rainier, all three long-time Mountainfilm supporters and popular featured guests. Joining them this year is another member of the ILCP, Steve Winter, since 1995, also a major contributor to National Geographic, and Wildlife Photographer of the Year 2008, for his haunting images of the elusive snow leopard.
Photography is a democratic medium: most people don’t paint or draw, but almost everyone owns a camera. It would be delusional, however, to describe snapshots of family get-togethers and beach outings, even the images shot by eco-tourists on their adventures in the Alaskan wilderness or African savannah, as art. In no way can drugstore prints be compared to the work of Ansel Adams, Eugene Atget, Alfred Stieglitz, Annie Leibovitz, Balog, Rainier, or Nan Goldin, all acknowledged masters. That would be like comparing Elvis to Mozart.
[click "Play" button to hear Susan's conversation with Roko Belic]
In 1999, former Telluride Mountainfilm director Rick Silverman shared his film favorites. High on the list was "Genghis Blues." The heart-warmng film by brothers Adrian and Roko Belic tells the story of a Tuvan throat-singer Kongar-ol-Ondar and a blind San Franciscan bluesman, Paul Pena, who taught himself to throat sing, a popular form of entertainment in southern Siberia. Ten years later, Festival program director David Holbrooke has asked the brothers and the "Elvis of Tuva" to return to town for a program encore.[ click "Play" button to hear Susan's interview with Josh Aronson]
Part-time local Josh Aronson is a regular at Telluride Mountainfilm, an event that began as a homespun gathering of gnarly outdoor adventurers and evolved into a crazy quilt of lively talks, memorable exhibits, and yes, films. (Mountainfilm's current program director, David Holbrooke, is also a filmmaker.)
Josh received an Oscar nomination in 2001 for his very first film, "Sound & Fury," which documents one family's struggle over whether or not to provide two deaf children with cochlear implants, devices that can stimulate hearing. Implants are hot-buttons in the deaf community: while they provide easier access to the hearing world, they also challenge one's identity within the deaf culture. "Sound & Fury" screened at Mountainfilm following its premiere at Sundance.
Telluride's Nugget Theatre will be one of the venues for Mountainfilm, Friday through Sunday, May 22-24. Beginning Monday, May 25 through Thursday, the program is two nightly showings of "X-Men: Origins" at 6:00 and 8:30 pm. "X-Men" is rated PG-13."X-Men" is a continuation, based...
[click "Play" button to hear Susan's conversation with Paul Bosch]
Telluride region features regularly in Bosch's art
Pastor and painter of landscapes. Paul Bosch is part of a long tradition dating back to 19th-century America, when artists, particularly of the American West, expressed a rapturous identification with the surrounding terrain. Albert Bierstadt and Frederic Church are two examples. They went way over the top in their depictions of cathedral-like peaks and the Golden Glow that enveloped a scene. At the time, the presiding metaphor was God as Supreme Artist and men like themselves, were simply His obedient servants.
Paul has been painting his entire life. "Someone has said (Picasso? Matisse? Freud?) that painters are basically feces-smearers, and this was true of me in my crib, according to my parents." While he has been a university chaplain or campus pastor most of his professional life, Paul is also author of numerous published articles/essays on the subject of the arts as they pertain to religious faith, and three books on related themes.
It was not their dream. One day, they just did it. Their 70-acre orchard, New Leaf Fruit, located on the Gunnison River north of Delta, produces peaches, pears, apricots, cherries, nectarines and apples. They have two children together, five-year-old Finn and 10-month-old Vivian, who was born at the orchard last apricot harvest. Eric's other daughter, Shawnee, worked at the orchard three years ago and loved it so much she is now in graduate school in international development, focusing on sustainable agriculture in Latin America. Rosemerry's most recent poetry collection, Holding Three Things at Once (Turkey Buzzard Press, 2008), is a finalist for the Colorado Book Award and explores the world of mothering, orcharding and communicating with each other and our environment.[click "Play" button to hear Susan's interview with Jane]
The girl can’t help it. Long before any inconvenient truths, before green became the new red, white and blue, longtime, part-time Telluride local Jane Goren was busy recycling, turning the detritus of people’s lives into edgy fine art.
Jane came buy her obsession naturally: in the corner of Brooklyn where she grew up no one ever threw anything away.
In 1974, Goren moved to Los Angeles. Years later, in this landscape of insecurity both real and imagined, an earthquake struck. The artist began collecting discarded windows, which she painted on the reverse side of the glass in an offbeat attempt to restore order to a disoriented city. These images also allowed Jane to examine issues of voyeurism, surveillance, and the deceitful nature of appearances. The Telluride Gallery of Fine Art, her local gallery, has examples of this work in its stable, and a number of pieces are on display at La Marmotte.
