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Culture

[for Kate Sibley's conversation with Susan, click "Play"]

IMG_6722 The Telluride Film Festival is renowned as much for what it is not as what it is.

The Telluride Film Festival is not about prizes or juries or press screenings or booty or paparazzi or yachts or swag. No one wins, so everyone wins.

The Telluride Film Festival is a celebration of the art of filmmaking, not the Industry. It is also the great equalizer: everyone talks to everyone on the streets and in the lines. And it is about location: Telluride has to be one of the greatest sets in the world. The Telluride Film Festival's education initiatives also put it at the head of class among the roughly 2,000 film festivals around the globe.
30 August, 2010 /
[click "Play", Susan speaks to "Auntie Graffiti" (Jane Goren)]

Janegorencardhoriz-3 Think of Auntie Graffiti as Telluride's answer to Auntie Mame: madcap, irreverent, fun-loving, funny, and free-spirited. Her thing is traveling the world painting portraits on paper toilet seat covers, though, like Mame, she is a scandalizer, not a vandalizer.

Part-time Telluride local Auntie Graffiti has presented her bathroom art at renegade exhibitions in the toilets and WCs of renowned museums and galleries around the world. Now she returns to town with her offbeat body of work.

Sapsucker Studios, 299 South Spruce, opens the first exhibit of works by Auntie Graffiti September 2, 5 - 8 p.m., in conjunction with the Telluride Council for the Arts & Humanities' First Thursday Art Walk, a walkabout to show off Telluride's art scene, when local galleries, studios and retail shops stay open late until 8 p.m.
30 August, 2010 /

Sidebar_poster The official website of the Telluride Film Festival claims there is no better way to attend the event than as a passholder. Further, it states there is "no hassle" with a pass. True. Sorta kinda.

Here's why: Your pass entitles you to seating on a first-come, first-served basis. Even then, not so much, because passholders are not created equal.

Especially for big buzz movies in the smaller venues (the Sheridan Opera House, the Masons and The Nugget) first-come, first-served means if you are a plain vanilla passholder, your lanyard may not get in unless you arrive super early, as much as 1 1/2 – 2 hours in advance of the scheduled screening. Even then, remember you are behind sponsors, patrons, students, and Hollywood entourages, who can show up when they wish and jump the queue. When that happens, your treasured numbered Q becomes just another piece of paper to recycle.
29 August, 2010 /

IMG_5313 "This festival (the Telluride Film Festival) is characterized by its small size and friendly atmosphere. If there were a few key words to describe Telluride, they might include 'intimate' and 'down home,' just as easily as 'monumental' and 'important.'" (Elise Berlin, Boulder Daily Camera)

Even without a pass, the 37th annual Telluride Film Festival, 9/3 – 9/6, has something for almost everyone.

IMG_5328 The Telluride Film Festival opens with free films sponsored by Ralph and Ricky Lauren. The four film premieres, one each night starting Wednesday, September 1, just after dark, (and a day before the cat is let out of the bag with the official announcement about screenings on the long weekend to come), takes place in the Open Air Cinema or Elks Park, just across the street from the Courthouse. (Telluride Inside... and Out will be posting details about those films on or around September 1.)

28 August, 2010 /

Scottpilgrim_smallposter It's a short week at the Nugget Theatre in Telluride: the Nugget will be closed Tuesday, August 31-Thursday, September 2, to get ready for the Telluride Film Festival.

From Friday to Monday, the two movies are "Inception", held over, and "Scott Pilgrim".

"Inception" (PG13) stars Leonardo DiCaprio, who must plant ideas in someone's head as opposed to stealing someone else's ideas. And the target must believe the ideas to be his own. Lost yet?

"Scott Pilgrim vs. the World" (PG13) might be described as "life as video game" or possibly the opposite. Many foes must be vanquished in order to win the woman of his dreams. Could be fun.

See below for movie times and the Nugget website for trailers and reviews.

25 August, 2010 /
IMGP1428 After a five-year hiatus, the Telluride Repertory Theatre at last was able to bring back Shakespeare in the Park. "Merchant of Venice" opened Saturday night. 7:30 p.m. on the Main Stage in Telluride Town Park. Performances continue Wednesday, August 25 – Sunday, August 29. (The performance on Saturday, August 28, however, is a 1 p.m. matinee.)

Local actor-turned-director Jeb Berrier's choice of "The Merchant of Venice" to relaunch one the REP's most popular series was a bit like deciding to run a marathon after an extended illness. The material in this dark comedy is challenging to say the least, dealing as it does with racial profiling in the person of Shylock, whom the Bard portrays in a somewhat grotesque, anti-Semitic caricature. Shakespeare, however, specializes in shades of gray, begging the question: Is Shylock meant to be victim or villain?
23 August, 2010 /
[to hear Erin Neff's conversation with Susan, click "Play"]

And now for something completely different.

Cabaret ad costume party The 37th annual Telluride Chamber Music Festival meets "Cabaret." The event takes place Friday, August 20, 7:30 p.m. at the historic Sheridan Opera House. In keeping with the decadence of the period in Germany before the rise of Hitler, the evening begins with a champagne reception and ends with sweets. Guests are asked to come in costume, although Telluride chic works just fine for the aristos in the crowd.

The culture of Germany's Weimar Republic, 1918-1933, encompassed the political caricature of Otto Dix and George Grosz, the beginnings of the far-reaching Bauhaus movement in architecture and interior design and the decadent cabaret culture of Berlin, documented by Christopher Isherwood in "Goodbye to Berlin," the book that became the musical "Cabaret." Cabarets, concert halls and conservatories performed the atonal and modern music of Alban Berg, Arnold Schoenberg, and Kurt Weill, like the other arts, declared decadent under the Reich.
18 August, 2010 /