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Valerie Madonia

The notion of dance in Telluride was not new before Valerie Madonia arrived on the scene.

In the 1970s, Jeri McAndrews, a New York transplant and modern dancer, settled in town and taught modern, jazz, and ballet in what is now the Elementary School cafeteria.

In 1978, McAndrews also founded the first (and only) Telluride Dance Festival.

In the 1980s, Shirley Fortenberry and Leslie Crane taught ballet to young and older. It was “Miss Shirley” who put “The Nutcracker” back in our town’s Christmas.

27 October, 2008 /

A little canoodling between two local nonprofits is not a bad thing – especially when considering the alternatives, such as more nail-biting over the kerfuffle on Wall Street.

The Telluride Choral Society and the Telluride Dance Academy offer a gentler, more melodic alternative to the drum roll leading up to Tuesday’s presidential election: their upcoming MasterWorks concert, “A Celebration of the Seasons,” should be a refreshing pause from the headlines in general.

27 October, 2008 /

Ok, maybe not Seattle exactly, but across the lake in Bellevue, last night Clint and I hooked up with part-time Telluride local and former Mountainfilm director Arlene Chester Burns at the Bellevue Art Museum. The get-together was to celebrate the opening of an exhibition of...

17 October, 2008 /

The mission of the National Film Preserve, the 501 C (3) umbrella corporation under which the Telluride Film Festival operates all year, is to celebrate the art of filmmaking, not the business, which pumps out and promotes easy-to-swallow audio-visual capsules.

Each year, Festival directors Tom Luddy and Gary Meyer, screen hundreds of movies to find the highest quality product about 20 – 30 features, that collectively provide a great perspective of the past, present and future of film. Documentaries are given as much prominence as features.

This year, as in years past, the 35th annual Film Festival was as educational as it was entertaining, and it was played as a contact sport – minus the teeth. On the field, almost no one is overtly mollycoddled or petted. Actors, directors, cinematographers, buffs and students walk side-by-side down Main Street and side streets of town critiquing what they have just seen. But most of the buzz comes from the lines.

12 September, 2008 /

Hollywood regularly spits out films featuring the kvetching narcissistic alpha males who rule Tinsel Town. “Revanche” is an indie flick whose star, Johannes Krisch, is a virtual unknown in the U.S. The talented actor is, however, a big stage star at home in Austria, which his countryman, writer/director Götz Spielmann, described as a “more of a theatre place than a movie place.”

Spielmann spoke Monday morning, September 3, at the Sheridan Opera House. He was in town all weekend for the screening of “Revanche" at the 35th annual Telluride Film Festival.

06 September, 2008 /

“Every work of art is the child of its time; often it is the mother of our emotions,” Wassily Kandinsky in “Concerning the Spiritual in Art”

Img_6600Corinne Creel’s changing landscapes are little corners of creation, seen through the polished lens of her imagination and evolving temperament. Darkness brightens. Chaos organizes itself into landscapes, still abstract, but increasingly coherent and recognizable. What’s it all about? The intensely private, autobiographical element inherent in these images is instead of what actually happened in recent years.

This show of Creel’s latest work, which opened on September 4, 2008, was the centerpiece of Telluride’s traditional First Thursday Art Walk, a daylong showcase of the town’s fine art scene, including galleries and studios, which stay open late until 8 p.m. The event, the brainchild of Rene Marr, executive director of the Telluride Council on Arts & Humanities, was designed to deepen ties between Telluride’s business and cultural economies by exposing locals and visitors to emerging and established artists and the town’s retail scene

05 September, 2008 /

Img_2002The living room that looks like a small museum is in fact the studio of local artist Robert Weatherford, a Telluride original. (He paints at the far end of the room, not shown.)

Weatherford’s legacy is expressionism, a term describing a movement in art history in which traditional ideas of naturalism and representation take a back seat to exaggerations of shape and color. The point is to communicate with some urgency the artist’s emotions.

Feeling is paramount in Weatherford’s work, and virtuosic flashes just because he can, is the enemy.

The artist tends to hang his narratives on familiar objects such as his vast collection of tchotkes (bric-a-brac), floral bouquets, and aspen leaves. However, his images are never about the objects themselves. They are about the force fields emanating from the object.

“The objects in my work are talismans that invite me to show the world what they (the objects) know. My job as an artist is to surrender to their will.”

04 September, 2008 /

Once the cat is out of the bag  – the directors of the Telluride Film Festival are notorious for keeping their selections top secret – and the weekend is in full swing, the “buzz” drives the traffic. Perfect strangers become fast friends chatting on line and at venues all over town about what’s hot and what’s not.

At a Monday morning screening of Götz Spielmann’s classic-in-the-making “Revanche” (see Views below), the elegant woman next to me introduced herself to talk the talk. “My name is Linda Clough. I am Chuck Jones’s daughter,” she said.

04 September, 2008 /

The Telluride Film Festival was going on both inside theatres and out on the street. Not everyone was interested in the movies: several young people were jumping on trampolene/bungee setups in the Mountain Village, only a few yards from the Chuck Jones Theatre. On...

04 September, 2008 /