Today she is a wife, mother and beloved director/mentor but growing up, Jen Nyman Julia was a theatre brat. Her parents ran Starflower Productions in her hometown of Winslow, Maine, where actors from all over the country visit to appear in the Nymans’ musicals.
In 1905, Maude Adams played Pan. Jean Arthur flew in the 1950s production. In the 1990s, former champion gymnast Cathy Rigby made Pan her signature role. But it was Mary Martin whose name became identified with Pan: the peerless performance in the 1954 production, in which she starred, was directed by choreographer Jerome Robbins. This became the paradigm.
Before it was a play, “Peter Pan” was a small story in a book written by Scottish novelist James Matthew Barrie. Later Barrie himself turned “The Little White Bird” into a play, “The Boy Who Wouldn’t Grow Up.” Initially the script was rejected by producers because the production was thought to be too elaborate: in addition to numerous and elaborate set changes, in 1904, plays generally did not call for special effects such as flying.
Ten years ago, when a starry-eyed go-getter named Jen Nyman (now Julia) arrived in town to build a young people’s theatre program at the historic Sheridan Opera House, Telluride pulled its Missouri stunt: “Show me, “ we said. Jen did. Big time.
Her response to the skeptics – “Really, we have Mudd Butts, who needs more kid’s theatre” – was to make like the lead of her first ever production, “Peter Pan”: pointing to the second star to the right, Jen led the way into the future.
Kicker: 2009 season features “The Sound of Music” and “Taming of the Shrew”
When the New York Shakespeare Festival staged its adaptation of Shakespeare’s “The Taming of the Shrew,” the director had Petruchio and Kate go toe-to-toe against the backdrop of the Wild West. Coincidently, the misogynistic romp opened on Broadway in July 1990 at almost exactly the same time a new theatre company was born in a small Western town that had long ago shed its chaps and buckskin – save for a few crusty old goats and cowboy wannnabes.
Nineteen years later, in June, 2009, the Telluride Repertory Theatre plans to mount its version of the sassy battles of the sexes, reinserting a linchpin in the town’s summer entertainment calendar: Free Shakespeare in the Park.
Once upon a long time ago, her former husband, Bunzy Bunworth,
tried to convince his brand new bride to leave the East coast and head West to a ski town in the mountains. Reading up on her prospective new home, Suzan Beraza was pleased to discover that Telluride had a theatre. Being an ambitious and hardworking young actress, she decided to jumpstart her new life by sending along an 8x10 head shot and a resume.
The news we get out of Africa is generally one-sided and not good. In America, “Africa” spells “t-r-o-u-b-l-e”: AIDS, malaria, genocide, impasse in Zimbabwe, fighting in the Congo, slavery in West Africa. Although the continent is comprised of 54 distinct countries, we tend to think of it as a monolith conjoined to the word “darkest,” suggesting a backward, dangerous, remote corner of the world where hope disappears in dense jungles. But hope is not dead – far from it. Signs of hope are headed our way in the form of The African Children’s Choir.
To Fall Deeper in Love with the World Sit with lichen longer than comfort allows. The urge to move must rise and pass, rise and pass,...
Eager to play, spring bumbles in
like a dizzy bee
dazed by yellow exuberance
wondering which tree, which stem,
which blade of new grass to next visit.
Whirrrrr-whoosh hustles in the first hummingbird,
whip-stridently flirting with petal-some red,
sweet hussy of fling,
flippant rush of a thing,
yes! then tides of wings gather
to jostle for nectar,
warm air wears their buzz like a hymn.
And what could be better than today to remember
that we, too, are found in the rush,
this daily detour toward sweetness and thrill,
this unpredictable swerve of a path on which
evening enters on gray glimmer of wing so bright
that even the shadows are listening.
Meredith Nemirov has always painted her mind, and she is known for saying a mouthful in a few strokes – or words.
“To stand and face a whole landscape, to paint ‘en plein air’ and make a painting capturing the scene on a two-dimensional surface in a relatively short period of time is rigorous, but that’s what we artists are driven to do day after day: we interpret our world to find our place in it.”
For the last four years, Meredith has participated in the Sheridan Arts Foundation’s vetted “Plein Air” exhibition, an event that happens annually over the Fourth of July weekend. In 2007, she was chosen as one of the Top Ten Artists. Last summer, she was the winner of the “quick draw.”
