The Telluride Blues and Brews Festival, #18 if you're counting, hits town on the weekend of September 16-18, 2011. Blues & Brews is the last big event of the Summer in Telluride. The argument could be made it is also one of the first...
Telluride Inside ... and Out was pleased to be in the audience for the first screening of Alexander Payne's "The Descendants" on Friday afternoon of the Telluride Film Festival. Scheduling dictated waiting until Sunday morning to enjoy the George Clooney tribute.
Check out the video for a sense of Todd McCarthy's interview with George, director Alexander Payne and actress Shailene Woodley after the showing of the movie.
(Ed. note: This is a bit late but here is the film schedule for after the Festival) Telluride Film Festival AfterFest at the Palm Tuesday 7:15 - KID WITH A BIKE – 87 min 9:15 - FORGIVENESS OF BLOOD -109m-------------Wednesday 7:00 – LE HAVRE- 103m 9:15 – WE NEED...
For the second year in a row, a King George dominated the Telluride Film Festival. Last year, it was King George VI, whose life and stutter were immortalized in director Tom Hooper's golden "The King's Speech." This year was all about a second King George, a man who rose from a humble background, the son of a former Army dj, to rule Telluride – at least for the long Labor Day weekend. I am talking of course about actor George Clooney, a tributee at the 38th annual celluloid celebration of the art of filmmaking. (He threatened to wear the metal medallion he received at his tribute through airport security.) Virtually every other superstar in town – and there were plenty – walked in Clooney's shadow.
[click "Play" to listen to Mickey Raphael's conversation with Clint]
Willie (Danny Clinch photo)
Willie Nelson and Family are the Sunday night closer for the 18th Telluride Blues and Brews Festival (September 16-18, 2011). "Willie Nelson?" you ask. "At Blues and Brews?" Well, yes. Because Willie can do it all. Case in point: Have you listened to Willie's "Stardust" album? I rest my case. And a key part of the Willie Nelson sound is the harmonica of Mickey Raphael.
Raphael has been part of Willie's band for some three decades, and unless you have paid attention you might not have noticed: he is the consumate side man. But take that harp out of the mix and guaranteed you would miss it.
by David Feela Twenty-four years is a long stretchto stay out of sight -- that’s four timessix years deep. A lot of timeon your head. All the while we speculatedhow it happened in the end, the moband the union bosses being so hard to tell...
Mark Stevens
Labor Day weekend, the action is mostly on the silver screen. Labor Day weekend, September 2 – September 5 is all about the Telluride Film Festival. However, one Telluride Film Festival regular, documentary director extraordinaire Ken Burns, always finds time on Monday, the last day of the epic film happening, to meet his public. For the third year in a row, Ken will take his traditional post at Telluride's popular book emporium, Between the Covers Bookstore, on September 5, 10:30 – 1 p.m. (ish) or just before he feels he needs to leave for the Closing Picnic.
This year Ken Burns signs copies of "The National Parks: America's Best Idea," "Jazz," "Baseball," and "The Civil War." Joining Ken at Between the Covers is a newcomer to Telluride, author Mark Stevens, in town to to sign copies of his latest work, "Buried by the Roan," an Allison Coil Mystery and the sequel to Stevens' best-seller, "Antler Dust."
The official website of the Telluride Film Festival claims there is no better way to attend the event than as a passholder. Further, it states there is "no hassle" with a pass. True. Sorta kinda.
Here's why. Your pass entitles you to seating on a first-come, first-served basis. Even then, not so much, because passholders are not created equal.
Especially for big buzz movies in the smaller venues (the Sheridan Opera House, the Masons and The Nugget) first-come, first-served means if you are a plain vanilla passholder, your lanyard may not get you in unless you arrive super early, as much as 1 1/2 – 2 hours in advance of the scheduled screening. Even then, remember you are behind sponsors, patrons, students, and Hollywood entourages, who can show up when they wish and jump the queue. When that happens, your treasured numbered Q becomes just another piece of paper to recycle.
[ click "Play", Gary Meyer discusses TFF 2011 features with Susan Viebrock]
Co-director Gary Meyer
The people who make the popcorn seem to know what they are doing. Let's give them a hand. Apparently so do the people who put together the Telluride Film Festival. Let's find out more.
The Telluride Film Festival built its acclaim as buzzmeister extraordinaire over 38 years by celebrating the art, not the business, of filmmaking. From the get-go, Festival founders and directors emeriti Bill and Stella Pence and current director Tom Luddy, also co-founder, plus Gary Meyer and Julie Huntsinger became renowned for turning their backs on The Industry, Hollywood shorthand for special effects, mind-numbing plots, testosterone-fueled blood and gore fests, blockbusters, crowd-pleasing franchises, bad guesses, and good luck. Telluride, on the other hand, puts the spotlight on intelligent storytelling and superior filmmaking to create a rich stew that is a seductive mix of past and present, foreign and domestic, obscure and accessible, dark and light, long and short, features and documentaries.
"The Descendants"
Every year, since the event got off the ground in 1974, The Telluride Film Festival, known locally as The SHOW, paid tribute to artists whose contributions resonate throughout the medium. Thirty-eight years ago, the first tributees were Gloria Swanson, Francis Ford Coppola, and Leni Riefenstahl.
The list of Telluride Film Festival honored actors swelled over the years to include Jack Nicholson, Gerard Depardieu, Clint Eastwood, Isabelle Huppert, Jodie Foster, Klaus Kinski, Shirley MacLaine, Toni Collette, Daniel Day Lewis, Viggo Mortensen, and part-time local (she met her husband Marc Schauer, her V.I.P host, when she was honored in 2004), Laura Linney.
