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[click "Play" to hear Susan's conversation with Sarah Klein]

GoodMotherCardscreen Forget to make a brunch reservation on this special day and you wind up in the Seventh Circle of Hell. In Telluride, as in the best of all possible worlds, Mother's Day would be everyday. The Hallmark Card model of the holiday is a set-up, a guilt trip, that should, I believe, go the way of the Hummer.

Truth be told no matter how many saccharine cards, roses, truffles, heart necklaces, or brunches we buy, we can never ever pay off that eternal debt we owe the woman who packs our lunches, bandages our boo-boos, soothes our bruised egos, cuddles and encourages us through thick and thin, believes in us no matter what. The best of the breed inspires success without ever pushing an agenda. They teach, but don't preach, the requirement for a straight spine and strong moral fiber. They are smart, loving, resourceful, and charming. And, they do this with no guarantee of a quid pro quo.
09 May, 2009 /

[click "Play" button to hear TNCC's Colleen Trout and CSU Extension horticulturist Yvette Henson]

Telluride's Wilkinson Public Library to host forest health workshop, Friday, May 8

Forest health 8.5x11 Poet Ogden Nash wrote poems that amounted to bite size op ed pieces inveighing against society's shortsightedness. The one about loss of trees due to commercialism goes like this:


"I think that I shall never see
A billboard lovely as a tree.
Perhaps, unless the billboards fall,
I'll never see a tree at all.
(from "Song of the Open Road," 1933)

05 May, 2009 /

43 The Telluride Public School's production of Stephen Sondheim's "Into the Woods" is being performed May 7-9 at 6:30 pm, and a 1:30 matinee, Sunday, May 10 at the Michael D. Palm Theatre.

The play is directed by Angela Watkins with musical direction by Dr. David Lingle.

05 May, 2009 /

Trio Solisti is the founding ensemble of the Telluride Musicfest, this year June 25 – July 5, and featuring world renowned composer Philip Glass as Composer-in-Residence.  "Telluride Inside...

25 April, 2009 /

BERKELEY, CA – Telluride Film Festival (September 4-7, 2009), presented by National Film Preserve, Ltd.  announces its call for entries.Student film submissions must be received no later than 5:00 pm, July 1, 2009. Short and Feature film submissions must be received no later than 5:00...

19 April, 2009 /

Telluride local Mark Berenson will be performing at the Wilkinson Public Library in a free concert Wednesday, April 15 at 6:00 pm. Mark's performance is another in an ongoing series of public events in the program room hosted by Scott Doser, Program Director at...

13 April, 2009 /

[click "Play" button to listen to Susan's conversation with film MC Seth Cagin]

Telluride Film Festival and Wilkinson Public Library: Chabrol's "Les Bonnes Femmes"

Les Bonnes Though less famous than sidekicks Godard and Truffaut, Claude Chabrol may be the most prolific of the French New Wave directors, having averaged almost one film a year since 1958.

"Les Bonnes Femmes" is early Chabrol. The film is a biting social drama with a Hitchcockian ending that presages the director's reputation as a master of mystery thrillers . (Chabrol co-authored with colleague Eric Rohmer a book on their film idol/mentor Alfred Hitchcock.)

"Femmes" covers three days in the lives of four Parisian shopgirls doing their best to escape their likely fate: marital ennui and tedious work lives. One is a party girl; another a mouse ready to sacrifice her hazy identity to secure a mate; an aspiring singer so insecure she hides her ambitions from her hanging buddies; and a day-dreamer yearning for a Prince Charming to rescue her from a vacant existence.

Bottom line: "Femmes" is a valentine to working class women  – written with a poison pen

11 April, 2009 /

[click "Play" button to hear Susan's interview with Ralph]  Sometimes life in Telluride is such a drag – especially when dragster extraordinaire Ralph Dinosaur takes to the stage. The cross-dressing Ralph and his band of renown headline KOTO's end-of-season...

02 April, 2009 /

[Click the "play" button and listen to Telluride Film Fest's education coordinator/local liaison Erika Gordon discussing the importance of "The Real Dirt"]

Farmer.john11x17 The image on the cover of his cookbook, "The Real Dirt on Vegetables," says it all: Farmer John Peterson is posed with a pitchfork like the man in Grant Wood's signature portrait "American Gothic" –  only Farmer John is also wearing a bright red boa.

Farmer John, who, by his own admission, is also Farmer " Elton" John, is a wise and wacky human being working to change the world one seed at a time with Angelic Organics, his Community Supported Agriculture (CSA) farm in rural Illinois.

Filmmaker Taggert Siegel's award-winning docudrama (over 30 festival honors), "The Real Dirt on Farmer John,"  spans 55 years, beginning with Farmer John's childhood, and then covering the failure of his conventional farming operation, the dark period that followed, and finally the farm's – and farmer's – rebirth.

27 March, 2009 /

37 Allergies? Dust? Something in the air at Telluride's  Palm Theatre was making me tear up while watching Tuesday's dress rehearsal of the Telluride Repertory Theatre/Telluride Choral Society's cosy and warm production of the terminal blockbuster, "The Sound of Music." Surrender. Cry uncle. Guaranteed you, like Clint and I, will succumb to the charm of this Rogers and Hammerstein classic.

True the book is sugar-coated, enough to cause a toothache, but nowadays the blowsy optimism seems to work to the play's advantage: how nice to be able to take a time out from the long shadows cast by today's headlines to bask in the musical's sunshine and light. True the music itself is unapologetically melodic, but that melody creates a structure as solid and reassuring as the convent walls that try – but fail – to contain the moonbeam known as Maria, the novitiate.

Directed by the feisty, focused, uber  talented L.A. import, Cate Caplin – a newbie to town  but with over 100 productions to her credit as director/choreographer and an international dance champion – The Rep's adaptation of the Broadway show is marvel of restraint. She and partner in crime Dr. David Lingle, the equally but quietly gifted artistic director of the Choral Society, clearly made a decision to focus on the business end of the musical: they tell their story of courage and the power of love  – and song – to triumph over evil with few frills. In lock step with the two directors, the producer, Lutz Florczak and crew of about 20 deliver the goods: the sets, costumes/make-up, lighting, sound, are wonderful, but never upstage the actors, the heart of the matter.

26 March, 2009 /