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37 Allergies? Dust? Something in the air at Telluride's  Palm Theatre was making me tear up while watching Tuesday's dress rehearsal of the Telluride Repertory Theatre/Telluride Choral Society's cosy and warm production of the terminal blockbuster, "The Sound of Music." Surrender. Cry uncle. Guaranteed you, like Clint and I, will succumb to the charm of this Rogers and Hammerstein classic.

True the book is sugar-coated, enough to cause a toothache, but nowadays the blowsy optimism seems to work to the play's advantage: how nice to be able to take a time out from the long shadows cast by today's headlines to bask in the musical's sunshine and light. True the music itself is unapologetically melodic, but that melody creates a structure as solid and reassuring as the convent walls that try – but fail – to contain the moonbeam known as Maria, the novitiate.

Directed by the feisty, focused, uber  talented L.A. import, Cate Caplin – a newbie to town  but with over 100 productions to her credit as director/choreographer and an international dance champion – The Rep's adaptation of the Broadway show is marvel of restraint. She and partner in crime Dr. David Lingle, the equally but quietly gifted artistic director of the Choral Society, clearly made a decision to focus on the business end of the musical: they tell their story of courage and the power of love  – and song – to triumph over evil with few frills. In lock step with the two directors, the producer, Lutz Florczak and crew of about 20 deliver the goods: the sets, costumes/make-up, lighting, sound, are wonderful, but never upstage the actors, the heart of the matter.

26 March, 2009 /

37 Based on a sneak peak, Telluride Inside...and Out is prepared to go out on a limb: when the cast of the Telluride Repertory Theatre Company's production of "The Sound of Music" says its final "So long, Farewell, Auf Wiederzehn, Goodbye," the crowd at the Palm will be shouting for more. This is one boffo show, arguably one of the biggest and best in The Rep's 18-year history. When the inevitable occurs, much credit must go to its director, Cate Caplin, and her musical director, Dr. David Lingle, who lead a cast of 50 and a crew of 20.

Their resumes not only establish their street cred, they underscore their respective and complementary strengths.

24 March, 2009 /

Over forty years after the film captured the hearts of millions, the legacy of "The Sound of Music," The Telluride Repertory Theatre's latest production,  lives on in the great grandchildren of Captain and Maria von Trapp – Justin, Amanda, Melanie and Sofia –  who...

22 March, 2009 /

[click "Play" button to hear Susan's interview with actress Carie Kawa]

"Once more unto the breach, dear friends..."

HenryV-photo-Matthew-Freddy-0674-caption On Thursday, March 19, Telluride's Palm Theatre proudly presents The Acting Company's and Minneapolis' Guthrie Theater's edgy co-production of Shakespeare's "Henry V."

In "Henry V," King Henry of England is no longer the petulant youth who frolicked boisterously with friends in "Henry IV. " Prince Hal has put down his toys and picked up the sword – although he is still young
restless, haughty and ambitious. When he inherits a troubled crown, the born-again Henry seeks to secure his position at home by diverting his country's attention abroad. His target is France, where he launches a hasty invasion to claim his right to a kingdom and the daughter of the King who insulted him with a gift of tennis balls and enforced leek eating.

16 March, 2009 /

"The Telluride Film Festival Cinematique at the Wilkinson Public Library" began in January with a quietly elegant film called "The Gleaners," (2000) about people who recycle the detritus of everyday life. The director is "The Mother of French New Wave," Agnes Varda, also a close friend of film scholar/critic/teacher/TFF friend Howie Movshovitz, who moderated.

In a related podcast interview on Telluride Inside...and Out, Movshovitz deferred to Varda in defining French New Wave: "Filmmakers under 30, budgets under 30 million francs  – old francs –  and no access to lighting."

The French New Wave is to film what Impressionism was to fine art: a seismic shift in the landscape caused by the movement of young filmmakers away from literary masterpieces out into the street. "It was as if someone had opened the window and let air into the room," said Movshovitz." Without the French New Wave there would be no independent film."

In many way, "Jules and Jim"  is the apotheosis of the genre.

13 March, 2009 /

[click "Play" button to hear Susan's conversation with Michael Schoenfeld]

Image Not all non-profits are created equal. Some, like Telluride local Michael Schoenfeld's Channel G stand out from the pack.

Channel G is a nonprofit's nonprofit – literally. The 501 (c) (3) organization and media company is in the business of documenting the work of others around the world engaged in environmental, social, and health-related projects. The short-form films Channel G produces get distributed through a wide variety of online outlets and viewed at film festivals such as Telluride Mountainfilm.

Channel G's first fundraiser in town, March 14, 7:30 p.m., at the Sheridan Opera House, hopes to raise the funds necessary to produce a promotional film about the San Miguel County One-To-One Mentoring Program.  Michael would like to be able to add other local/regional nonprofits into the mix.

12 March, 2009 /