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Beyond Telluride

Announcing:  2011 Winter Puppet Program for San Miguel County Elementary Schools:

Puppets_paleontologist 
Paddy the Paleontologist with his library

The Watershed Education Program Puppet Theater of the Telluride Institute is entering its 4th season with exciting new additions to its repertoire. We have been rehearsing, working on our stage, and making some new puppets such as "Paddy the Paleontologist" who tells the story of the dinosaur bones recently discovered on Norwood Hill. The puppeteers include Ashley Boling, Sally Davis, Jeb Berrier, Laurie Lundquist, and Colin Sullivan. Buff Hooper has been working behind the scenes with Sally and Laurie on props and puppets. We will be performing up and down the watershed in various schools and libraries with the goal of educating and entertaining. It will be lots of fun!

The basic concepts of watershed awareness are introduced in simple ways that form a foundation for childrens’ later participation in our Watershed Education Program (WEP). The real stars of these shows are the animals and insects of the watershed. When you come to a show you are likely to meet a bear, a coyote, a beaver, a cricket, an eagle, and even a mosquito! All of these wild creatures have a point of view; we can learn a lot by listening to them interact. The dynamics of our watershed are rich and complex. It is good to hear about this place from the horse's mouth… and the dog's bark and the cricket's chirp…!

Our fun filled puppet shows for the 2011 season include :

27 January, 2011 /

[click "Play" to hear SMRC's Melanie Montoya speak with Susan]

 

Chocolate palms For most of us, Telluride is a corner of heaven. For some, however, there's trouble in paradise. These people, the ones in toxic relationships, are the ones the San Miguel Resource Center opens its doors and hearts to, 24 hours a day, 365 days a year.

The San Miguel Resource Center is the Telluride region's only entity, public or private, in the business of helping others help themselves. Its mission: put itself out of business by ending interpersonal violence in our extended community. The Resource Center accomplishes its objectives through its advocacy center based in town, prevention education in the schools and key pockets of our community, and a menu of other bi-lingual support services.

On Saturday night, February 5, 7:30 – 11:30 p.m., Telluride Conference Center, Mountain Village, the Resource Center holds its only major public fundraiser, The Chocolate Lovers Fling. This year's theme: "Heroes and Villains." Supporting the Resource Center means people who are in pain or have been wronged in the extreme – experts define abuse as going from a vague feeling something is wrong to battering or worse – can one day learn to picture a past hurt without dwelling on the negative emotions associated with disturbing memories. One day, their hearts can heal.

25 January, 2011 /
[click "Play" to hear Sylvie Fadrhonc's conversation with Clint]

 

Sylvie Forget your old ideas about wheelchair-bound people: Telluride Adaptive Sports Program's education and development manager, Sylvie Fadrhonc gets around in her chair and on the mountain in her monoski, and you will run to keep up with her. Seriously.

Besides her work with Telluride Adaptive Sports and her budding career as a monoski racer, Sylvie is now a published author, having the cover story in the January issue of Sports 'n Spokes.

Telluride Adaptive Sports Program (TASP) continues to serve regional school kids, locals and visiting folks with disabilities. However, the level has been kicked up a notch or two, pushing the boundaries of what is possible for higher level athletes who just happen to have disabilities. Under the guidance of TASP program director Tim McGough, participants in the Expand Your Horizons Ski Camp (this year January 30- February 4) can experience the hike-to terrain at Telluride, and even ski with Helitrax, Telluride's helicopter skiing service.

24 January, 2011 /

 by Tracy Shaffer

Image002 When the Denver Theatre District launched its Outdoor Art Gallery in September of 2009 it offered a means to showcase Denver’s prestigious artists, galleries and institutions, in an effort to raise the profile of our local arts community. During the first year the city was gifted by the works of Vance Kirkland, Riva Sweetrocket, Mel Strawn, Bill Amundson, and Angela Beloian along with others from Denver’s creative talent pool. Two-dimensional artwork is a bit of a rarity in public display which generally favors large-scale sculpture; mosaic and mural being the exceptions.

This year, the DTD decided to “push the limits” a bit with its recent offering, “Faces of Colorado Art”, discretely placed on the back side of the Ellie Caulkins Opera House at 14th Street and Champa. The project, curated by Plus Gallery owner, Ivar Zeile, is a large-scale quilt of portraiture, representing the influential people who’ve put the “thrive” in our thriving visual arts scene. Faces of independent, gallery, and museum collected artists, sit squarely next to one another. Including the faces of art dealer, Michelle Mosko, artist and RiNo founder/director, Tracy Weil and Denver Art Museum Director, Christoph Heinrich, brings these sometimes disparate streams together as one.

18 January, 2011 /

[click "Play", Drew Ludwig talks with Susan about the Iceland trip]

 

Iceland_tio Telluride's Ah Haa School for the Arts plans to stretch its wings and fly beyond the borders of our box canyon. An upcoming photography trek across Iceland next summer, departing July 21, is an example of another new direction.

The team leading the expedition includes Aaron Huey, a Seattle-based photographer, whose client base includes National Geographic magazines, The New Yorker, Smithsonian, The New York TImes and European rags. Heuy's current ongoing projects include the funerals of Afghan war vets, Sufism (mystic Islam), and a five-year documentary on the Pine Ridge Indian Reservation.

Huey's co-instructor is mountain guide Drew Ludwig, also a talented photographer.

12 January, 2011 /
[click "Play", Susan speaks with producer and director, Jeff Spitz]

 

 

Navajo-boy-poster kicker: "Like a finely made rug, The Return of Navajo Boy contains multiple layers of color, construction, and meaning.... A must-see." Native Peoples Magazine

On December 6,  Dr. Doug Brugge, a guest of the Advocacy Coalition of Telluride, the Town of Telluride, the Pinhead Institute and the Telluride School District, spoke to an audience at The Palm about the environmental and health consequences of mining, milling and processing of uranium ore.

Dr Brugge, a Harvard PhD, grew up on the Navajo reservation. His wide-ranging expertise in public heath includes the subject of the of uranium mining and processing on Native Americans. In 2007, Brugge testified before the House Committee on Oversight and Government Reform on uranium contamination in the Navajo Nation, whose chairman, Congressman Henry Waxman (D-CA) became an advocate for the tribe because of one powerful documentary and its powerful new epilogue produced one year later in 2008: "The Return of Navajo Boy."

07 January, 2011 /

 

(Above is a local clip from the 2009 Ice Festival.)

The first time I ever swung an axe at ice, I was surprised. It felt good…really good. It was so different from rock climbing; instead of my hand fumbling, fingers aching, trying to find something to hold onto, the axe made a nice “clink” sound, sticking perfectly into the ice and giving me purchase. I felt like a superhero as I picked my way to the top of the frozen waterfall, right axe, left axe, then moving up with my feet, digging in with the teeth of my right crampon, then the left. It was oddly meditative and beautiful, despite the exertion and the cold. Why, I wondered, isn’t everyone doing this?

06 January, 2011 /

No doubt you've heard that Winter Solstice is astronomically unique this year due to a full Moon total lunar eclipse that will be taking place in the late evening and early morning hours of Dec. 20th - 21st. Yes, it's true! All of North...

19 December, 2010 /

by Eliot Brown; photos by Mary Sama-Brown

Part 2, "Park City to Yellowstone"

(Ed. note: The first installment of the Browns' road trip was published on Telluride Inside... and Out on November 22)

Wind power At 8:30 AM, Monday we put Park City in the rear view mirror and headed out on Interstate 80 toward Evanston, WY, and then North on US 89 along the Idaho/Wyoming boarder toward Jackson Hole for Grant Village in Yellowstone National Park.  The 6 3/4 hour drive past huge windmill power farms, huge ranches, beautiful prairies and valleys with little or no traffic allowed the 911 to strut her stuff.  My wife Mary only had to close her eyes a couple of times as I enjoyed the open road, albeit, sometimes a bit aggressively.

It is only fitting that I insert a little Yellowstone history here to pay tribute to our first national park.  Near the headwaters of the Yellowstone River, an area home to the Shoshone Tribe, John Colter, in the early 1800s described what was mocked as Colter’s Hell, a place where mud boiled and steam rose from the ground. 

11 December, 2010 /

by Tracy Shaffer

Riva Opening
Tracy, Riva, "Heaven & Earth"

Cool morning, bright day. I sit down for tea with artist, Riva Sweetrocket, in her gorgeous Ballpark Neighborhood loft. She meets me at the door and takes me into her studio, a clean and spare space which reflects the clarity of her thought and vision. A 44 x 38 inch paper is affixed to a Plexiglas wall; the striking image of a crimson cushion with an oversized, gold satin bow hovering above it is in progress. There is nothing else in the room but light, a small cart holding art supplies and a larger blank sheet of paper on another wall, awaiting inspiration.

The precision of Sweetrocket’s work is extraordinary. Many times I’ve stood before her works at Denver’s Plus+ Gallery, mesmerized and wondering “How does she do that?”  It was my privilege to find out. We spoke of images, what strikes the eye and how these fascinations reach the gallery wall. “I keep a file of photographs, things I see and the colors and textures I find appealing. Most of the time I photograph them myself, but others come from memory. When I get an idea about what I want to put together, it all comes alive in Photoshop” says she. I get a sense that there is a lot of silence and rumination in this woman’s daily life, and a fair amount of chalk dust. Riva’s works are created in soft pastel on paper and have a luxuriant quality that is radiantly defiant of the medium. “Once I’m happy with the image, I begin the work on paper and that is when it starts to really come alive” she continues. 

06 December, 2010 /