More on French New Wave and Jules and Jim
"The Telluride Film Festival Cinematique at the Wilkinson Public Library" began in January with a quietly elegant film called "The Gleaners," (2000) about people who recycle the detritus of everyday life. The director is "The Mother of French New Wave," Agnes Varda, also a close friend of film scholar/critic/teacher/TFF friend Howie Movshovitz, who moderated.
In a related podcast interview on Telluride Inside...and Out, Movshovitz deferred to Varda in defining French New Wave: "Filmmakers under 30, budgets under 30 million francs – old francs – and no access to lighting."
The French New Wave is to film what Impressionism was to fine art: a seismic shift in the landscape caused by the movement of young filmmakers away from literary masterpieces out into the street. "It was as if someone had opened the window and let air into the room," said Movshovitz." Without the French New Wave there would be no independent film."
In many way, "Jules and Jim" is the apotheosis of the genre.