Author: Susan Viebrock

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Rebekah Diaddigo,
Sugar Plum Fairy

Thanks to the gift of memory, we make Nat “King” Cole rituals of the holidays. Folks dressed up like Eskimos build frosty snowmen. As chestnuts roast on an open fire, we sit squinched into a favorite armchair staring at presents piled high under a tree. Suddenly, magically, a little girl becomes a leggy pre-teen gawking at sugar plums dressed like fairy queens. In cities around the world,’tis the season of “The Nutcracker” ballet.

Locally, the Telluride Dance Academy, under the direction of artistic director/choreographer Valerie Madonia, is mounting its “Nutcracker” production this weekend at The Palm on Friday, December 12, 7 p.m. and on Sunday, December 14, 3 p.m.

The event features a large cast ranging in age from 3 – 50+, including local notables such as Jeb Berrier as the Rat King, Buff Hooper as Madam Bonbon, Ashley Boling as Uncle Drosselmeyer, the mysterious Merlin of a man, who has traveled the world gathering exotic gifts and stores beyond imagining. It is Drosselmeyer who gives Clara the present of a Nutcracker.

The Telluride Choral Society's annual WinterSing concert series celebrates the Holiday Season with a eclectic program of Holiday music old and new. Join us for an evening of warmth, laughter, and cheer! All adult and children groups to perform. Times:Wed 12/10   7pmFri 12/12   ...

Move over Manolo. Jimmy Choo is nothing to sneeze about, but he too can step aside. My favorite shoes for the winter come with heavy straps and metal cleats. And they are not for kinky sex. They are for climbing straight up and down snow-covered...

IMG_0803 Today she is a wife, mother and beloved director/mentor but growing up, Jen Nyman Julia was a theatre brat. Her parents ran Starflower Productions in her hometown of Winslow, Maine, where actors from all over the country visit to appear in the Nymans’ musicals. 

In 1905, Maude Adams played Pan. Jean Arthur flew in the 1950s production. In the 1990s, former champion gymnast Cathy Rigby made Pan her signature role. But it was Mary Martin whose name became identified with Pan: the peerless performance in the 1954 production, in which she starred, was directed by choreographer Jerome Robbins.  This became the paradigm.

Before it was a play, “Peter Pan” was a small story in a book written by Scottish novelist James Matthew Barrie. Later Barrie himself turned “The Little White Bird” into a play, “The Boy Who Wouldn’t Grow Up.” Initially the script was rejected by producers because the production was thought to be too elaborate: in addition to numerous and elaborate set changes, in 1904, plays generally did not call for special effects such as flying.

Ten years ago, when a starry-eyed go-getter named Jen Nyman (now Julia) arrived in town to build a young people’s theatre program at the historic Sheridan Opera House, Telluride pulled its Missouri stunt: “Show me, “ we said. Jen did. Big time.

Her response to the skeptics – “Really, we have Mudd Butts, who needs more kid’s theatre” – was to make like the lead of her first ever production, “Peter Pan”: pointing to the second star to the right, Jen led the way into the future.

Boomers might remember “Leave It to Beaver,” the 1950s sitcom about the perfect all-American family of the Eisenhower years. The program was sweet enough to give a person a toothache, but one thing for sure, the tight little unit worked: lots of white teeth, love, and just enough mischief to spice up the action. The word “dysfunctional” had not been invented yet.

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Santiago Correa

The Correa clan is Chile’s response to the Cleavers – only more so. There are eight of them: the irrepressible Santiago, Sr, hyperkinetic, wacky, and wise; and his wife, the warm, lovely Ana Maria, the glue of the operation. The happy couple produced six firebrand offspring: Santiago, Jr., Francisco, Tomas, Anita, Andres, and Catarina, each one bright, beautiful, funny, fun-loving, and accomplished. It would be easy to go green-eyed over their disproportionate share of the pie, but when you are welcomed into their home, wined, dined, teased, and hugged, a person would have to be made out of stone not to melt.

We met the Correas three years ago, when Vivien Jones brought us to a dinner at their hacienda in San Vicente, one of five properties where they have vineyards and grow olives and table fruit. At the end of the wine-soaked evening, Clint and I extended an invitation to Telluride. It seemed only right. Tomas jumped at the opportunity to polish his English. Once dates were nailed down, we tackled the logistics of finding him a host family and work.

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Birthday Cakes for Vivien and Clint

The Residencia Historica is located just a few kilometers from the toy town of Marchihue and 40 minutes from the much larger Santa Cruz in Chile’s Colchagua Valley. Colchagua is one of the centers of the country’s rapidly growing wine industry and the Chilean outpost of blue chip labels such as Domaines Barons de Rothschild-Lafite. We first visited the place in 2005, when it was still a work- in- progress.

When Vivien Jones and her partner Silvio Castelli discovered what has become the hotel six years ago, the sprawling 18th-century home had seen better days. The bones remained, but they were buried in a tangle of old eucalyptus trees. Dead fruit trees and the thorns of roses tortured the grounds like a hair suit. Undaunted, the couple pursued a vision that can only be described as a labor of love: the promising wreck received the makeover it deserved. The result is a fabulous boutique hotel, where old and new artfully co-exist. To celebrate, on November 8 Vivien threw a joint birthday bash, a traditional Chilean BBQ or asada, for herself and Clint.