Performing Arts

Telluride Bluegrass: Mike Farris

If your church on Sunday morning, June 21, 2009, is the Telluride Bluegrass Festival, expect a rousing, spiritual Baptist or roots tent revival in a most unusual package: a tall white guy in dark glasses accompanied by an 11-piece band, Roseland Rhythm Revue (horns, back-up singers, etc). The guy will be singing as if his life depended on it – and it does. Meet Mike Farris.

In the 17th century, a poet stirred by the rich polyphony of church music declared that the music showed him the way to heaven's door. Ditto for Mike: the man who once found salvation in a bottle, now finds it through his music. For Mike, playing music is like praying. It shines a light on his soul. It keeps this rocker sober and soulful.

Telluride Bluegrass: The Greencards

According to Telluride Bluegrass Festival regular and Grammy winner Tim O' Brien it's all about recycling: he describes what he does musically as "making something new out of something old."

Tim is not alone. Linking the past, present and future is also what the relatively new band, The Greencards, is all about.

The aptly named Nashville-based trio – a green card identifies the bearer as an alien with permanent resident status in the United States – is comprised of two Australians, Kym Warner (mandolin. etc.) and Carol Young (vocals, bass) and an Englishman, Eamon McLoughlin (fiddle, violin, viola). The primary reason for moving to the States was to find opportunities to play their brand of high energy acoustic music not much in demand at home. Somewhat ironically, the group, which just opened shop in 2003, is already one of the hottest new bands in America, making distinctly American music.

Telluride Bluegrass: Greensky Bluegrass

[click "Play" to hear Paul Hoffman's interview] Greensky Bluegrass is the world turned upside down. Winning the Telluride Bluegrass Festival band contest three years ago was a world-upside-down moment for...

Telluride Bluegrass: Super group, WPA

Telluride Bluegrass: Todd Snider

Telluride Bluegrass, June 18-21

Telluride favorite, singer-songwriter Todd Snider, is returning to town for an encore after his sold-out show at the historic Sheridan Opera House, where the troubadour charmed the crowd with his barefoot brand of social satire and the way he managed to blow raspberries at our foibles without giving offense.This round, Todd is appearing on the Fred Shellman Stage at the Telluride Bluegrass Festival.

Turns out folk hero Woody Guthrie came from an extremely prosperous upper middle-class family: dad speculated in real estate and mom owned about 30 rental properties. Robert Allen Zimmerman was born in the Midwest in Hibbing, Minneapolis, and also had solid middle class underpinnings. His father Abe, ran a sort of successful electric-appliance shop. All the stories about the young Robert being orphaned, running away from home annually starting at age 10, performing in a carnival were attempts by Bob Dylan to become Dylan.

Telluride Jazz Celebration: Guest of honor, Bill Frisell

[click "Play" button to hear Susan's interview with Bill Frisell]

2009 Telluride Jazz Celebration, June 5-7

No doubt about it. Telluride Jazz Celebration impresario Paul Machado is really good at his job. His choice of Bill Frisell as the 2009 Guest of Honor was inspired, perfect for a time when the chips are down, when substance trumps style every day.

Soft spoken – literally, I had to ask him to speak up more than once in our interview –  and self-effacing and shy, Frisell is a man you might miss at a party; that is until he straps on his ax. Ax in hand, this "Clark Kent" quickly morphs into a Superman, arguably, quietly, the most brilliant and distinct voice to come down the pike in jazz guitar since Wes Montgomery, not coincidently one of Bill's idols. Ax in hand, the man is on fire. Bill claims performance is his drug of choice. It transforms him, allowing him to do things he would not do in real life. Performance brings out his inner Woody Allen. 

Telluride Jazz Celebration: vocalist Lizz Wright

[click "Play" button to hear Susan talk with Lizz Wright]

Chanteuse/songwriter Lizz Wright was only 25 when she first visited town, a guest of the 29th annual Telluride Jazz Celebration. At the time, the soulful young charmer was already brushing shoulders with song stylists such as Cassandra Wilson and Anita Baker, Nina Simone and Abbey Lincoln. The buzz among critics was that stars such as Norah Jones and Diana Krall had better get a firm grip on their crowns: Lizz was waiting in the wings.

The sheer beauty and quiet serenity of the lady, the full-bodied texture and musky warmth of her gospel-trained contralto, the conversational way she phrased her lyrics, had the crowd eating out of her hand. This was no aural window dressing. Lizz was – and is –  the real deal.

Paul Machado on Telluride Jazz Celebration #33

[click "Play" button to hear Susan's conversation with Paul Machado]

Paul Machado took over the helm of the Telluride Jazz Celebration in 1991 reconfiguring the event with aplomb and extending the venue to include local clubs and the Mountain Village. The depth and breadth of his stellar programming and the mountain setting add up to a musical weekend second to none in the world.

For Paul, "jazz" is not just any four letter word, nor does the handle refer to any one specific thing. If Lawrence Welk plays a song John Coltrane wrote, that's not jazz. If John Coltrane plays Lawrence Welk, it is. Jazz for Paul is contextual. For him, the label refers to a certain kind of spontaneous interaction on stage and off. It is an opportunity to enjoy internationally in a unique setting. At its center, Paul believes his Jazz Celebration is an aural elixir that makes a person's ears smile.

Telluride Jazz Celebration: Ozomatli

[click "Play" button to hear Ozomatli's Ulises Bella]

Telluride Jazz Celebration's impresario Paul Machado programs for cultural diversity, including everything from mainstream to mariachi. This year, booking one act alone, he could have covered all his bases.

Ozomatli plays a notorious mash of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East L.A. r&b and New Orleans second line, Jamaican reggae, Indian raga and rock.

Ozomatli. The name comes from the Nahuatl word for the Aztec astrological symbol of the monkey, also a god of dance, fire, the new harvest – and music.