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Fine Art

[click "Play" to hear Skip Liepke's conversation with Susan]

 

Lady in Black Malcolm "Skip" Liepke's second one-man show opens at the Telluride Gallery of Fine Art, 130 East Colorado Avenue, Thursday, July 7, 5:30 – 8:00 p.m., in sync with Telluride Arts' First Thursday Art Walk, showing off the "Best Of" Telluride's fine art and retail scene.

If you missed it, the artist's first show was a doozy: wall-to-wall pulchritude and sensuality confronting us with looks that would melt steel, rendered by a  painter who is an unapologetic realist.

04 July, 2011 /

East Valley Icon Getting a jump on Telluride Art's upcoming First Thursday Art Walk, July 7, and at the tail end of the Sheridan Arts Foundation's Telluride Plein Air, an outdoor art show featuring American Impressionists that ends at 4 p.m. July 3, Lustre Gallery presents the work of Marshall Noice. The artist's reception is Sunday, July 3, 4 – 6 p.m., 171 South Pine Street, a great excuse for those who can't get enough light in their lives to continue to wave their plein air banner high.

Marshall Noice never met a sky or a tree he did not like. For 36 years, the artist has been obsessed by landscapes. What we see in his work resembles the outside world the artist depicts much in the way a guitar case resembles a guitar: Noice is not painting a grove of trees for instance. He is depicting his emotional response to a grove of trees, which makes him an Expressionist for those who require an "ist" or an "ism." Noice is an Expressionist with Impressionistic flourishes and a Fauve sense of color.

02 July, 2011 /

By Tracy Shaffer

Tracy at DAM The Denver Art Museum's current offering is a mud pie for the senses. With the most basic of themes, earth, this global exhibition brings together time and place to reveal how the artist deals with dirt. Curators from around the museum present their earthenwares in ways that honor the simultaneous beauty and function of the Coors Porcelain Company's vessels, the aesthic simplicity and eternal popularity of the blue & white ceramic, and the exquisite work of Native American potter, Nampeyo, who built a name for herself and a family legacy through her creations. 

27 June, 2011 /
[click "Play" to listen to Susan's conversation with Robert Lemler]

 

kicker: Lemler teaches "Light & the Figurative Subject in Oil"

Nude Telluride's Ah Haa School continues its summer immersions program with an intensive in "Light & the Figurative in Oil." The class is scheduled for Thursday, July 7 –  Sunday, July 10. The instructor is Robert Lemler.

We hold these truths to be self evident.... Art and light became twins at the end of the 19th century with the emergence of the Impressionists, but throughout art history, artists have used light to direct the eye of the viewer. Rembrandt, for instance, routinely lit eyes, the windows of the soul, and hands. Vermeer transformed light into dots, blobs and dashes of white paint that danced in the foreground of his paintings, suggesting the eye land here or there. (And then go goofy about the details in the overall image.) 

31 May, 2011 /

By Lauren Metzger

Ahhaa_june Hello Telluride. Though the weather does not reflect it, the summer season is starting! The Ah Haa School has quite the lineup this summer of dynamic local artist exhibitions, both in Daniel Tucker Gallery and our East Gallery. I am proud to announce that this June we will be featuring the photography of Carl Marcus and the oil paintings of Susan McCormick. Both will remind you of the beauty this amazing region holds and that spring is coming!

Carl Marcus has a true talent for capturing nature's awe-inspiring beauty. A constant supporter of the Ah Haa School, I was first introduced to Carl while working on my first auction several years ago. He had donated one of his "magical landscapes" and it did indeed take my breath away. When I asked him about how he is able to capture this beauty, he replied, "The images try to recreate the aspect of vast spaces in unfolding nature that literally take away ones breath; and attempt to convey them to others; not so much the detail, but the underlying immensity of the micro and macro." He added that always having his camera with him and being open to what is happening around him, are the times that those images present themselves and he is able to capture and share them with everyone. Thank you Carl, for being open! Other current works will be displayed with these magical landscapes. Which by the way will be 5 foot images. This is a show not to be missed!

31 May, 2011 /

Brakes On the fifth anniversary of Hurricane Katrina, about the time the Gulf oil spill was about to capped, Drew Ludwig decided to take a walk. A long walk. In August 2010, he traveled by foot 120 miles from the Ninth Ward of New Orleans to the Gulf of Mexico.

"I went to help. I went to work. I held lofty goals of an activist, and I wanted to use my hands."

And so he did, his hands and his unerring eye, recording images with his camera of people and places encountered along the way. Drew's motivation: break down the idea of "The Other," a complex concept lifted from the social sciences that defines the process by which individuals and groups create distance between themselves and those who do not seem to fit easily and comfortably into their cloistered worlds.

25 May, 2011 /

Ludwig_valleyFloor_web 
Drew Ludwig, Valley Floor #1

Contest Dates:  May 19 – July 15, 2011
Exhibition:  July 30 – August 28, 2011
Location:  Ah Haa School Depot Gallery, Telluride, Colorado

The Telluride Institute is proud to announce the Atlas of the San Miguel Photo Competition, a first annual juried photo exhibition celebrating the San Miguel River Watershed. Amateur and professional photographers of all ages are encouraged to submit photographically generated works of art celebrating life in the watershed—in all of its many forms.

The photo competition is part of a larger exhibition at the Ah Haa School in August. The exhibition is divided into two components--an Invitational Exhibition featuring both local and nationally known artists and the Photo Exhibition featuring photos of the watershed.

19 May, 2011 /
[click "Play", Susan has a conversation with Will, Kate and Pia]

 

 

 

Pia at the Times Building 005 It's a game of fill in the blanks Telluride style and an example of synchronicity in action.

The initiative began with Will Thompson, owner of the Telluride Gallery of Fine Arts and an active member of the Telluride Merchants' Association.

Since the economic downturn, the need to deal with vacant real estate has been a challenge for business owners from coast to coast. From Seattle to Dayton, Chicago to Cleveland, they have turned to arts organizations and artists for colorful solutions. Empty spaces on Telluride's Main Street got Will's wheels turning.

14 May, 2011 /
[click "Play" to listen to Susan's conversation with Jeanne Mackenzie]

 

Jeanne Mackenzie Artistic immersions continue at Telluride's Ah Haa School for the Arts with guest instructor Jeanne Mackenzie. Her class, Plein Air Landscape Painting, takes place Monday – Thursday, June 20 – June 23, 9 a.m. – 4 p.m.

Jeanne Mackenzie lives in a rural setting near Fort Collins, Colorado, where she is a founding members of the Rocky Mountain Plein Air Painters group. Jeanne holds a BA in art and teaching credential from San Diego State University. Her work has been featured in Southwest Art Magazine’s Best of the West, American Artist Workshop magazine and International Artist Magazine-Master Artists. Jeanne is on the staff of the Denver Art Museum, where she teaches color theory, composition and painting.

10 May, 2011 /
[click "Play" to hear Susan's conversation with Jan Sitts]

 

Jan-portrait-300pix This summer, Telluride's Ah Haa School for the Arts offers a series of immersions featuring talented artists from all over the country. The first of these in-depth workshops takes place June 9 – June 11, 10 a.m. – 4 p.m. at Ah Haa's Stone Building, 117 North Willow.

In "Texture, Color, Feeling," students get to explore a variety of materials, textures and surfaces to create a finished image on canvas. The emphasis is on process, rather than the finished product, an abstract image, meant to be a surprise. Using white papers and textured materials to layer and imbed, plus paints and inks, the end result should have a dynamic sculptural effect.

Your instructor is Jan Sitts, a Sedona-based art instructor and professional painter for 35+ years.

03 May, 2011 /