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Festivals

[click "Play" button to hear Susan's conversation with Paul Machado]

Paul, Flora and Airto Paul Machado took over the helm of the Telluride Jazz Celebration in 1991 reconfiguring the event with aplomb and extending the venue to include local clubs and the Mountain Village. The depth and breadth of his stellar programming and the mountain setting add up to a musical weekend second to none in the world.

For Paul, "jazz" is not just any four letter word, nor does the handle refer to any one specific thing. If Lawrence Welk plays a song John Coltrane wrote, that's not jazz. If John Coltrane plays Lawrence Welk, it is. Jazz for Paul is contextual. For him, the label refers to a certain kind of spontaneous interaction on stage and off. It is an opportunity to enjoy internationally in a unique setting. At its center, Paul believes his Jazz Celebration is an aural elixir that makes a person's ears smile.

04 June, 2009 /

[click "Play" button to hear Ozomatli's Ulises Bella]

OZObyJonCoulthard268 Telluride Jazz Celebration's impresario Paul Machado programs for cultural diversity, including everything from mainstream to mariachi. This year, booking one act alone, he could have covered all his bases.

Ozomatli plays a notorious mash of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East L.A. r&b and New Orleans second line, Jamaican reggae, Indian raga and rock.

Ozomatli. The name comes from the Nahuatl word for the Aztec astrological symbol of the monkey, also a god of dance, fire, the new harvest – and music.

03 June, 2009 /

[click "Play" button to hear Susan's interview with Christian Scott]

996418782_l At the 33rd annual Telluride Jazz Celebration, audiences get to come face to face with the future of the genre: young trumpeter Christian Scott. The past is a given.

At the turn of the 20th century, jazz  – or "jass" – referred to the kind of music created by obscure black musicians and played in brothels. The word itself was slang for making love.

At early light, jazz was simply a synthesis of Western harmonic language and forms combined with the rhythms and melodic inflections of Africa. In the 60s, the genre waxed emotional, screaming, moaning and piercing the ear with atonality. The 70s was schizophrenic: The decade witnessed a revival, a return to traditional concepts like Big Band. Newness came from a fusion with rock and the modal themes and drone effects of Eastern religion. In the 80s, the jazz train gained speed with a stronger emphasis on Afro-Latino sounds, especially Brazilian. And so on..

02 June, 2009 /

[Click "Play" button to hear Susan's conversation with Jimmy Herring]

Telluride Jazz, May 5-7. Sideman out front: Jimmy Herring

L_e6755d8529ba3cd6cb3ad15886d5e16f He has been the legend behind the legends, a musician's musician, but the 33rd annual Telluride Jazz Celebration, June 5 - June 7, will set the record straight. After three decades as a sideman, guitarist Jimmy Herring is finally getting exactly what he deserves: center stage.

Fusion guitarists that claim the middle ground generally skew one way or the other: former Telluride Jazz Celebration headliner John Scofield, for example, has deep roots in jazz,  and Carlos Santana is a rocker at heart. Jimmy is a rarity: he stakes his claim where jazz harmonies and rhythmic concepts and the edgy power of classic rock come together, improvising with an intensity that underlines his roots.

Jimmy's formidable chops have been used to great advantage by outfits ranging from Widespread Panic to the Dead, Phil Lesh and Friends (a Dead offshoot), Project Z, the Allman Brothers, Col. Bruce Hampton's Aquarium Rescue Unit, Jazz is Dead and others.

31 May, 2009 /

Memorial Day in Telluride was wet and windy. There were movie surprises early in the day: "The Cove" was an unheralded entry and grabbed one of the "TBA" slots. Audience reaction was wild, including a long standing ovation at the conclusion. "Cove" tells of the...

28 May, 2009 /

IMGP0406 Sunday late afternoon, Telluride: A double rainbow appeared in the sky at the end of town, a colorful postscript to a hailstorm and soggy Memorial weekend. Perhaps the light show was also an auspicious sign. Perhaps we will succeed in facing down some of the many global challenges we are faced with today –  Mountainfilm's hope and its reason for being.

Mountainfilm is not just about mountains or films. The opening shot of Telluride's busy summer festival season has evolved into a hydra beast, its multiple heads looking back at its roots in mountains and mountaineering, at fixed points in the present – endangered cultures, eco-systems, species, and ideas – and into the future at the positive change the nonprofit exists to effect through lectures, breakfast talks, gallery walks, Mountainfilm on Tour, and yes, films.

Mountainfilm's directors, David Holbrooke and Peter Kenworthy, say their event is not just about talking. It is about doing. And not just doing, doing to effect positive change. In its maturity – Mountainfilm just turned 31 – they  focus a little less on adrenaline, and a little more on activism. The writing was on the wall from Day One: Speaker after speaker, film after film reminded us that the real work is out there in the field.

26 May, 2009 /

by Kris Holstrom

The New Community Coalition worked hand in hand with Telluride Mountainfilm staff to brainstorm composting, recycling and trash reduction this year. The opening event, on May 21, was the dinner for the filmmakers and guests at a beautiful spot high up in the Preserve.

The evening was damp and delightful and included delicious food by Lucas Price and an amazing mix of interesting people. Even better, from the waste side of things, it was a total success.

 Zero is not always a good thing. It's an insult when used to describe a person. Describing waste is a whole other story, but in that context, zero is so difficult to achieve, it is often stated as a goal, rather than as something truly possible. Thursday night raised the bar: Mountainfilm got about as close as you can get.

26 May, 2009 /

[click "Play" button to hear Steve Winter talking with Susan, and click the YouTube box below to see a slideshow of Winter's photgraphy ]

Tell imovie49 Two years ago, a group of "fellows" from the International League of Conservation Photographers came to Telluride, including James Balog Wade Davis, and Chris Rainier, all three long-time Mountainfilm supporters and popular featured guests. Joining them this year is another member of the ILCP, Steve Winter, since 1995, also a major contributor to National Geographic, and Wildlife Photographer of the Year 2008, for his haunting images of the elusive snow leopard.

Photography is a democratic medium: most people don’t paint or draw, but almost everyone owns a camera. It would be delusional, however, to describe snapshots of family get-togethers and beach outings, even the images shot by eco-tourists on their adventures in the Alaskan wilderness or African savannah, as art. In no way can drugstore prints be compared to the work of Ansel Adams, Eugene Atget, Alfred Stieglitz, Annie Leibovitz, Balog, Rainier, or Nan Goldin, all acknowledged masters. That would be like comparing Elvis to Mozart.

22 May, 2009 /

[click "Play" button to hear Susan's conversation with Roko Belic]

30 45 In 1999, former Telluride Mountainfilm director Rick Silverman shared his film favorites. High on the list was "Genghis Blues." The heart-warmng film by brothers Adrian and Roko Belic tells the story of a Tuvan throat-singer Kongar-ol-Ondar and a blind San Franciscan bluesman, Paul Pena, who taught himself to throat sing, a popular form of entertainment in southern Siberia. Ten years later, Festival program director David Holbrooke has asked the brothers and the "Elvis of Tuva" to return to town for a program encore.

Following their score at the 21st annual Mountainfilm, Roko partnered with Italian explorer and author Folco Terzani to make another film, "Twilight Men, the true story of a Westerner and an Indian holy man who go into the Himalayas in search of an enlightened master.

22 May, 2009 /